🌍 Global AI•Researcher / Scientist
Jim Keller
Chip architect, CEO of Tenstorrent.
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Наукометрический профиль и цитирования (OpenAlex)
Аффилиация: University of Missouri (US)
h-index
52
Индекс ХиршаЦитирования
18 764
Всего цитатПубликации
600
Научных работi10-index
239
Статей с ≥10 цитатПрофиль
Обновлено: 13 окт. 2026 г. · wikipediaJim Keller is an American musician, producer,[1] manager, publisher, and composer whose work in the music business spans more than 40 years. He was the co-founder, lead guitarist, and primary songwriter for the American rock band Tommy Tutone based in San Francisco, California, and was co-writer of that band's most famous single, 867-5309/Jenny. [2] Since 1992, Keller has worked with Philip Glass, first running Glass's publishing company and eventually managing his career as director of Dunvagen Music.[3] In 1999, Keller founded St. Rose Music as a publishing and management company for friends and associates. Their roster has grown to include Nico Muhly, Rachel Portman, Angélica Negrón, the music theater works of Tom Waits, Jeff Beal, Paul Leonard-Morgan, Ravi Shankar, and Anoushka Shankar.[4]
In 1978, Keller and Tommy Heath began playing around the greater San Francisco area with a variety of backup musicians under the billing Tommy Tutone. By 1979, Heath and Keller were invited to play a label showcase that brought the attention of the Warner Bros. record label. They entered the studio with bassist Terry Nails and drummer Micky Shine to record the band's first album, Tommy Tutone.[5] Three singles were released including Angel Say No which peaked at No. 38 on the Billboard Hot 100 Charts.[6] In early 1981, the band had begun recording their second LP, when Keller approached Heath with a song he had co-written with former Clover frontman Alex Call.[7] Neither expected that the song would become a hit.[8] In 1982, the song was number 4 on the Billboard charts for 27 weeks.[9] After the band's third album, National Emotion, failed to produce a hit single, they went their separate ways. For several years, Keller played in bands, wrote jingles, and helped friends and colleagues with music publishing.[10]
Keller stopped performing and recording in 1994.[11] A project around that time had led him to calling Philip Glass's office. When he called a second time the person
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